Category Archives: Staff Topics

Blog posts that are staff favorites, chosen topics, or updates abut what goes on behind-the-scenes.

Books!

As some of you know, we have spent several years working to create modern catalog records for our monograph collection. The pertinent information for each volume is scanned or photographed (this includes the title page, publication information, whether it contains illustrations, an index, a table of contents, and the number of pages to name a few things) and submitted to Backstage Library Works in Utah. Catalogers create or copy catalog records and send them back to us in spreadsheet form for corrections. We recently submitted corrections for the books formerly categorized as “school books” and the catalogers will soon add the records to reQuest, the statewide library catalog. You can search for books in our collection here: http://www.iconn.org/default.asp?lid=lfhs&mode=g.

In celebration of the completion of another portion of the project, a small display of school books and picture books is on exhibit in the Ching Reading Room of the Helga J. Ingraham Memorial Library.  The items on display all have a local connection. If you are in the area, stop by to see it. If you aren’t, you can enjoy the following highlights. The titles in bold are on exhibit.

Finding that existing history texts were too dense and too expensive for young students, Litchfield resident Sarah Pierce compiled Sketches of Universal History, Compiled From Several Authors for the Use of Schools which was printed in 1811. This copy belonged to Female Academy Student Nancy Barclay Crawford, a student at Miss Pierce’s school in 1823. The notice of copyright (below)  for the volume appeared in the Connecticut Journal (New Haven) on October 31, 1811. Note that it was filed by the printer rather than Sarah Pierce.

Dwight C. Kilbourn (1837–1914) donated this copy of Benjamin Dudley Emerson’s Second Class Reader. This edition was printed in 1844 and may have been used by Kilbourn during his school days. He would go on to become a lawyer who attained the rank of Lieutenant in the Second Connecticut Heavy Artillery during the Civil War. He also authored The Bench and Bar of Litchfield County, 1709–1909.

Noah Webster spent time in Litchfield as a young man. He studied law with Jedediah Strong prior to working as a teacher and later compiling a dictionary. Webster’s publications also included this Elementary Spelling Book and The History of the United States (also given by D.C. Kilbourn).

McGuffey Readers were commonly used for educational purposes from its first printing in 1836 into the early twentieth century. The volume on display was donated by local resident Frank M. Coe. In addition to being used locally, the readers have another tie to Litchfield. William Homes McGuffey was from the Ohio Western Reserve where he was active in a movement to support free common schools supported by tax money. He joined Calvin Stowe and his wife, Harriet Beecher Stowe, in supporting the cause.

Rose Dale is one of a set of three volumes owned by John Williams Quincy (1866–1950). Quincy was a descendant of Deming family and spent a considerable amount of time in Litchfield with his family. In the late 1800s, an as-yet-to-be-determined condition required John Williams Jr. to spend the rest of his life under private institutional care.

Anne Lyon Haight (1895–1977) contributed an essay to the Children’s Book Show 1945–1950 publication. She married Sherman Post Haight in 1914. She was a writer and a lecturer who was active in various book clubs and museums in New York. Her family lived in Litchfield part-time.

Nils Hogner, author of Farm for Rent (see illustration above), was born in Massachusetts to Swedish immigrant parents.  He attended Rhodes Academy, Copenhagen, Denmark, Royal Academy of Arts, Stockholm, Sweden, Boston School of Painting, and the School of the Museum of Fine Arts, Boston. He married Dorothy Childs, an author, in 1932. They purchased Hemlock Hill Herb Farm in Litchfield and remained part-time residents throughout their lives. Dorothy Childs Hogner’s book The Wild Little Honker is also on display. She wrote many books illustrated by her husband Nils.

Dorothy Childs Hogner wrote of her Litchfield Home in the introduction for the second edition of The Junior Book of Authors, 1951.

We enjoy the city and like living here in winter, but, perhaps even more, we enjoy our camp in Connecticut, where we go in summer.

In winter we drive up there quite often to feed the birds. We have about eleven acres of woodland, in a remote spot, and when the snows are heavy we have to walk through drifts to get there. The birds are always glad to see us, the chickadees, the nuthatches, the juncos, and even the wild shy grouse, which will come out and eat corn when we are there, if we sit very quietly inside, looking out of the window.

Of course, these birds, and all the wild animals which live there, the chipmunks, squirrels, rabbits, and others, make wonderful characters for our books. We have put up a salt lick too, so the deer come near our back porch, and sometimes we catch a glimpse of a fox, or of the handsome shy lynx cat which lives in the near-by forest.

There is only one animal we do not find amusing. That is the woodchuck. We liked him at first, but he is such a glutton. He enjoys filling himself on greens we plant in our garden, and we are both very fond of gardening. So we and the woodchucks do not get on!

Ben Hawthorne, author of Bessie Bossie, shown above, was born Benton Deming, son of William Champion Deming and Imogene Hawthorne Deming. He was the great-grandson of Nathaniel Hawthorne and of Julius Deming. He was a radio disk jockey and served in WWII. The following was written about his show:

Early morning programs, musical clocks are one of the most successful types of jockeying. Programs like Ben Hawthorne’s WTIC (Hartford, Conn.) session with Bessie the Cow, sold millions of dollars of merchandise for G. Fox department store down through the years, before the army got Hawthorne. Bessie the Cow was only a sound effect yet a book was written about Bessie that did a sock job through New England, the area served by WTIC.

Billboard 1944 Music Yearbook, page 64

 

Finding that existing history texts were too dense and too expensive for young students, Litchfield resident Sarah Pierce compiled Sketches of Universal History, Compiled From Several Authors for the Use of Schools which was printed in 1811. This copy belonged to Female Academy Student Nancy Barclay Crawford.

Dwight C. Kilbourn (1837–1914) donated this copy of Benjamin Dudley Emerson’s Second Class Reader. This edition was printed in 1844 and may have been used by Kilbourn during his school days. He would go on to become a lawyer who attained the rank of Lieutenant in the Second Connecticut Heavy Artillery during the Civil War. He also authored The Bench and Bar of Litchfield County, 1709–1909.

Noah Webster spent time in Litchfield as a young man. He studied law with Jedediah Strong prior to working as a teacher and later compiling a dictionary. Webster’s publications also included this Elementary Spelling Book and The History of the United States (also given by D.C. Kilbourn).

McGuffey Readers were commonly used for educational purposes from its first printing in 1836 into the early twentieth century. This volume was donated by local resident Frank M. Coe. In addition to being used locally, the readers have another tie to Litchfield. William Homes McGuffey was from the Ohio Western Reserve where he was active in a movement to support free common schools supported by tax money. He joined Calvin Stowe and his wife, Harriet Beecher Stowe, in supporting the cause.

Rose Dale is one of a set of three volumes owned by John Williams Quincy (1866–1950). Quincy was a descendant of Deming family and spent a considerable amount of time in Litchfield with his family. In the late 1800s, an as-yet-to-be-determined condition required John Williams Jr. to spend the rest of his life under private institutional care.


Nils Hogner, author of Farm for Rent, was born in Massachusetts to Swedish immigrant parents. He attended Rhodes Academy, Copenhagen, Denmark, Royal Academy of Arts, Stockholm, Sweden, Boston School of Painting, and the School of the Museum of Fine Arts, Boston. He married Dorothy Childs, an author, in 1932. They purchased Hemlock Hill Herb Farm in Litchfield and remained part-time residents throughout their lives.

Ben Hawthorne, author of Bessie Bossie, was born Benton Deming, son of William Champion Deming and Imogene Hawthorne Deming. He was the great-grandson of Nathaniel Hawthorne and of Julius Deming. He was a radio disk jockey and served in WWII. The following was written about his show:

Early morning programs, musical clocks are one of the most successful types of jockeying. Programs like Ben Hawthorne’s WTIC (Hartford, Conn.) session with Bessie the Cow, sold millions of dollars of merchandise for G. Fox department store down through the years, before the army got Hawthorne. Bessie the Cow was only a sound effect yet a book was written about Bessie that did a sock job through New England, the area served by WTIC.

Billboard 1944 Music Yearbook, page 64

Anne Lyon Haight (1895–1977) contributed an essay to the Children’s Book Show 1945–1950 publication. She married Sherman Post Haight in 1914. She was a writer and a lecturer who was active in various book clubs and museums in New York. Her family lived in Litchfield part-time.

Dorothy Childs Hogner, author of The Wild Little Honker, wrote many books illustrated by her husband Nils.

Dorothy Childs Hogner wrote of her Litchfield Home in the introduction for the second edition of The Junior Book of Authors, 1951.

We enjoy the city and like living here in winter, but, perhaps even more, we enjoy our camp in Connecticut, where we go in summer.

In winter we drive up there quite often to feed the birds. We have about eleven acres of woodland, in a remote spot, and when the snows are heavy we have to walk through drifts to get there. The birds are always glad to see us, the chickadees, the nuthatches, the juncos, and even the wild shy grouse, which will come out and eat corn when we are there, if we sit very quietly inside, looking out of the window.

Of course, these birds, and all the wild animals which live there, the chipmunks, squirrels, rabbits, and others, make wonderful characters for our books. We have put up a salt lick too, so the deer come near our back porch, and sometimes we catch a glimpse of a fox, or of the handsome shy lynx cat which lives in the near-by forest.

There is only one animal we do not find amusing. That is the woodchuck. We liked him at first, but he is such a glutton. He enjoys filling himself on greens we plant in our garden, and we are both very fond of gardening. So we and the woodchucks do not get on!



In April 2011, the Litchfield Historical Society launched The Ledger, an online database containing biographical information for students of the Litchfield Law School and the Litchfield Female Academy. The Ledger also includes personal papers, needlework, artwork, portraits, pertaining to each student.

The copy of Sketches of Universal History in the case below belonged to Nancy Barclay Crawford, a student at Miss Pierce’s school in 1823. The notice of copyright for the volume appeared in the Connecticut Journal (New Haven) on October 31, 1811. Note that it was filed by the printer rather than Sarah Pierce.

Noah Webster, who wrote two of the books included in the display, is often mistaken for a student of the Litchfield Law School. He actually studied with local attorney Jedediah Strong.

Illustration, Bessie Bossie

Illustration, On the Farm

Construction!

Scaffolding goes up

If you have walked or driven past the Litchfield History Museum in the past month you may have wondered about the scaffolding and construction equipment surrounding the building.

We are getting a new roof!

 

 

 

 

 

 

 

 

Roof and Gutters

 

 

 

But it is not any run of the mill roof. After 108 years of service the standing seam copper roof and  elaborate copper gutters and leaders have become severely deteriorated and are being replaced.

 

 

Deteriorated mortar joints

 

The roof is not our only issue.  Many of the bricks and mortar joints in exterior walls have deteriorated and made it possible for water to infiltrate into the building  causing  damage to paint and plaster in the museum.  The construction project began with masons replacing bricks and fixing mortar on all sides of the museum

 

 

After several years of planning and preparation,  funded by grants from the Connecticut Trust for Historic Preservation and the National Endowment for the Humanities, we developed a comprehensive plan to address all the buildings needs, both interior and exterior.  The first phase of the project will fix all of the exterior issues – from the roof and gutters to window and door repair.  Thanks to generous grants from the Seherr-Thoss Foundation and the 1772 Foundation we have received funding for  this work and the building will be water tight by winter.

We will keep you updated on  the progress as the work as we go forward. We have already uncovered some fascinating
new information the building. Check back next week for an update.

 

 

 

 

Travel and Transportation Month

Did you ever wonder how a station wagon got its name?  This is a plan for a model manufactured by Litchfield’s own carriage makers, Flynn & Doyle.  The wagons were designed to transport train travelers to and from their final destination or place of departure.

Earlier in the 19th Century, travelers and mail were transported via stagecoach.

This photo of a stagecoach notes that it was sold in Danbury in the early 20th Century for $800.

This advertisement from 1827 describes the Aerial Phaeton.  It sounds like an early amusement park ride.

Camp Dutton Commemoration

This past Saturday, the 2nd CT Heavy Artillery re-enactment group partnered with the Litchfield Historical Society to commemorated the Litchfield County Regiment’s formation and encampment at Camp Dutton which was located on Camp Dutton Road in Litchfield, Connecticut.

The re-enactors were able to spend Friday night camping on the site of Camp Dutton and then marched into town, much as the Civil War soldiers did in 1863, to hear speeches from notable Litchfield citizens and receive their regimental flags.  In 1863, Julia Tallmadge Noyes (Mrs. William Curtis Noyes) ordered the regimental flags from Tiffany’s in New York City and presented the colors to the regiment from a band stand that was erected on the green for the occassion.  Thousands of onlookers cheered the troops on as they then proceeded to the train station in East Litchfield to begin their service to  the Union.

The above photo shows the presentation of the colors in August of 1863.

This weekend, the re-enactors commemorated this event with their own festivities.   The Historical Society estimated that over 300 people attended the event.  Adults and children alike, learned what Civil War soldiers ate, how they marched, and what it meant to enlist in the army.    The cooler temperatures did not dampen the spirits of those who attended this successful event.

The Historical Society would like to thank all of those who helped to make this event a success.

Preservation Week

 

 

 

Preservation Week, April 24-30 2011 is a partnership between the Society of American Archivists, the American Library Association, the Library of Congress, the Institute of Museum and Library Services, and many other cultural heritage organizations.  It is a national campaign to help raise awareness about collecting and preservation, to connect the general public to preservation information and expertise, and to emphasize the close relationships among personal, family, community, and public collections and their preservation.

The Society’s staff is participating in Preservation Week by getting dirty.  Julie Leone, Curator of Collections, and Linda Hocking, Curator of Library & Archives, are attending a two-day disaster planning workshop offered by Conservation ConneCTion and run by the Northeast Document Conservation Center.  This workshop is a follow up to one held last summer which helped the curators begin working on a formal disaster plan for the Society.

The first day of this session involved a variety of disaster scenarios to begin thinking about appropriate responses. Tomorrow, they will get wet and dirty to learn the proper things to do when faced with damaged collections and facilities. Upon completion, they will return to Litchfield and put the finishing touches on the Disaster Plan.  They will also complete the assembly of disaster kits which include things like caution tape, gloves, masks, and other supplies.  The two will also share their new knowledge with other staff, weekend staff, and board members.

Update:  Today, day two of the workshop, a simulated disaster provided the curator with an opportunity to see how time consuming even the smallest disaster with minimal damage can be to address.  Thinking about potential hazards and making sure the location is safe to be in must come before addressing collections concerns, many of which are time sensitive. At the same time, informing the public of what has happened and how its being addressed is also critical.  We are now invigorated to return and put the final touches on our “d-plan” and to share our experience with the rest of the staff.  We are grateful to the Institute of Museum and Library Services for providing funding for this series, to Conservation ConneCTion for all the work done to secure the funding and put on the workshops, and to NEDCC for providing great information in an accessible manner.  We’ve even started an Amazon wish list which includes things we would like to add to our disaster kits (as well as a few things the education department would like, and some reference works.)