Category Archives: Artifacts and Archives

Blog posts include anything that involves items from the artifact and/or archives collection of the Historical Society.

Litchfield School Records

By Cecelia Hooper, Intern

The recent merging of Litchfield Public Schools and Region 6 into Region 20 has given the Litchfield Historical Society the opportunity to ensure the old district’s memory will be preserved for future generations. A generous donation by the new region of office records, sports paraphernalia, and other academic items of no longer existing schools reveal the workings of an older scholastic administration and give insight into the lives of students over the past century.

Trophies on display in Liggett Gallery, 2025-11-1-5

Donated student handbooks from Litchfield High School dating from the 1964-65 school year up to 1989-90 included school policies, club descriptions, possible awards, sport schedules, and the school song. Information was added and removed over the years, such as course descriptions and Title IX. Trophies show wins in baseball, basketball, and tennis, along with the names of the winning team. The trophies and sports jerseys are currently on display in the Liggett Gallery.

Office records pertaining to each student made up the majority of the donation. The earliest records date from 1909, with information on students from Litchfield High School. There are also Litchfield Elementary School records, with dates ranging from 1956-1976. There are mixed records from all the public schools with dates from all the decades in between. While each category of record has a different physical format and size, they all collect the same basic information.

Office Record Card for Edith Morgan, front side

They are a treasure trove of information and note a student’s family, days present, and grades, often with very different letter grades than we have today. In fact, our current system was not implemented in Litchfield until the 1950s, and use was sporadic for multiple years. Common in the first half of the twentieth century were letter grades of P, F, S, G, and VG (poor, fair, satisfactory, good, and very good), and in the very early days of the century a number system of one through ten was used.

This type of record can be invaluable for understanding how public schools worked in the past. Extensive transfer records show ease of movement between schools, though a letter from another town’s principal attached to a record shows that schools were not always equal in their rigor or expectations. Beyond just that, insight can be gleaned on what were considered acceptable absences, what subjects were taught and at what level, and what may have held a student back a grade. Wider national trends are also apparent: in the 1940s notes begin appearing on office records that a student’s information had been verified through their birth certificate.

Glimpses into the more personal life of students are also available to the canny observer. Address information is often recorded—sometimes just the name of a farm—as well as the name of a parent or parents and their occupation. One can track the highly mobile life of some students from their transfer records, though occasionally a mystery crops up: one elementary student was noted to have not returned to school after a break, vanishing when he and his father did not return from a trip.

Such a large body of information also takes up a lot of space. Filling many boxes in the archives, the records are yet to be housed in their final archival boxes. Processing such an extensive collection takes time, both to catalogue and fill out a finding aid, and to physically move the papers. There are also preservation concerns to consider: metal paper clips and staples can rust and ruin the paper, so they must be removed and replaced with archival plastic paper clips.

In total, the Litchfield Public School collection in the archives includes office records, student handbooks, class registers, yearbooks, and ephemera such as a graduation program and a valedictorian address from 1902. The dates span from 1902-2024, at all levels of public education. Some of this collection is restricted to the public in order to protect the privacy of the still living people whose information is included in the records.

Eric Hatch Portrait

By Cecelia Hooper, Intern

The museum recently acquired a portrait of the acclaimed author Eric Stowe Hatch (1902-1973) through the generous donation of his son, Eric K. Hatch. This portrait will be on view Litchfield History Museum’s Helga J. Ingraham Memorial Library (7 South Street, Litchfield). Depicting Hatch at seven years old, the painting was completed around 1909 and painted either at his parents’ house on Park Avenue in New York City, or at their secondary residence in Cedarhurst, Long Island.

Oil Painting–Eric Stowe Hatch (1902-1973) by John Wycliffe Lowes Forster, circa 1909; Litchfield Historical Society, 2025-13-1

The artist of the piece was John Wycliffe Lowes Forster (1850-1938), a well-known portrait painter from Canada. He began his apprenticeship at nineteen, and a decade later studied for three years in Paris. A member of the Ontario Society of Artists and the Royal Canadian Academy, his body of work includes multiple prominent subjects, including the Emperor and Empress of Japan in 1920. The museum holds four other of his paintings.

While the museum already held a military uniform of Hatch’s, likely from the First Litchfield Artillery Regiment, detailed information about his life was missing from our databases. We gathered much of his story from his son, who donated the portrait, as well as from contemporary articles, obituaries, and census records. Many interesting tidbits turned up—Hatch never finished college, and even within his family there was debate on whether he was born in 1901 or 1902.

New York Census, 1930

This research was done as part of the intake process of the portrait, through interactions with the donor, and as our Curator decided whether the painting would be a good fit for the Litchfield Historical Society. It was also done throughout the accession process, while we cataloged the piece, and during label writing.

Eric Stowe Hatch was born in New York to May Hatch and Frederick Hatch, who owned a stock brokerage firm. Eric Hatch enlisted in the State National Guard in 1918, and was an original staff writer for the New Yorker. A prolific writer, Hatch was the author of over twenty books and multiple screenplays, one of which was My Man Godfrey, a novel twice made into successful films he helped script.

1936 poster for My Man Godfrey

Both Eric Hatch and his wife, E. Constance DeBoer, served in World War II in prominent positions. In 1954 they moved to Litchfield and Eric, who was a radio enthusiast, purchased WBIS radio station and operated it together with Constance. They had two sons, one of whom is the donor of the portrait.

In 1963, Hatch co-wrote the article “Let Freedom Really Ring” which inspired congressional Concurrent Resolution 25, passed only four months after the article was published. The Resolution involved symbolically ringing the Liberty Bell thirteen times at 2:00 p.m. on July 4th. In the same year, he conceived of the First Litchfield Artillery Regiment, which was officially acknowledged in 1965. Later, he was named chairman of both the Connecticut Historical Commission and the American Bicentennial Commission of Connecticut. He died in 1973 in Litchfield.

While Eric Hatch did not live in Litchfield when the portrait was painted, this is still an important interpretive piece for the museum. Not only does it align with the other Forster paintings in the collection, but it offers a look into the past of an exceptional Litchfield resident. Eric Hatch was a central community member, and remembering him at all ages aligns with the mission of the LHS. His work with the Artillery Regiment was very impactful and it is still in existence today, participating regularly in community events. Though he did not live to see the bicentennial, his work as a historian and chairman of the aforementioned commissions connects directly with the values of the LHS, particularly as the 250th anniversary approaches. Hatch made a tangible impact on both Litchfield and the wider United States that still survives to this day.

Inside the Collections – Fire Insurance Markers

My favorite way to pick a new “Inside the Collections” topic is to stumble upon it—in this case, to come across it while housing new acquisitions in our storage facility. We have well over 20,000 objects in our museum collection, stored in seven rooms in three different buildings. Even after nine years at the Historical Society, I regularly “find” objects for the first time, or find a reason to reconsider an object I haven’t seen for some time. Sitting on one of the many shelves in our open storage area, I paused for a few seconds on two pieces of thin, pressed metal with obvious connections to England (see below). While they are clearly decorative, even so far as having evidence of a painted surface, I couldn’t immediately place their function. Too small to be an effective business sign, but too large to be a nameplate. The database told me they are “insurance signs.”

The more specific answer is that they are insurance markers. To be even more precise, fire insurance markers or, simply, fire marks.

Fire insurance marker for “IMPERIAL,” English, nineteenth century; Litchfield Historical Society, 1915-02-6
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Law School Letters

The Helga J. Ingraham Memorial Library at the Litchfield Historical Society has recently purchased three new letters pertaining to the Litchfield Law School and its students. Two of the letters are likely relatable to many of today’s parents as they discuss the expense of educating children.

The first letter, written in 1815 by Putnam Catlin, father of Litchfield Law School student George Catlin (who later left the law to paint) was addressed to his friend Steuben Butler and detailed the financial difficulty in providing for his children’s education:

I am obliged to consider myself as a mere farmer, republican farmer, Beechwood farmer, without a hired man in this hurrying season of the year. How then am I to spare George and James? I admit that your reasoning is just in regard to George but I know not how to spare him at this time. I shall not be able to give him a public education. If he shall persist in the choice of law he will have to glean for himself an education in some law office, perhaps. I may indulge him a year at Litchfield, in the meantime, I will do better for him if it be in my power. Should my ‘ship arrive from England’ or should I make sale of some land I can spare he may be more favored.

Putnam Catlin to Steuben Butler, May 3, 1815
detailed image
Putnam Catlin by George Catlin, Smithsonian American Art Museum, between 1840-1849
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Miss Jones Letter

1847 Litchfield CT stampless folded letter red CDS and 5 rate [H.3508] - Picture 1 of 3

Letter, Julia Henrietta Jones to Laura Boardman Lane, March 31, 1847

As noted before, we have alerts set up for eBay and various auction sites to notify staff when Litchfield-related items and collections appear. A few weeks ago, I added this item to my watchlist on eBay. Individual letters are often bought and sold by stamp collectors who care little about the contents as was the case with this. Although I had requested an image of the contents, the seller did not comply. Instead, I received an offer to buy the letter for $8.49. Noting that it had a return option, I decided to take a chance- the name Laura Lane was familiar from my work on the Boardman papers, and the 1841 made me wonder whether the author was a former Litchfield Female Academy Student.

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