Category Archives: Artifacts and Archives

Blog posts include anything that involves items from the artifact and/or archives collection of the Historical Society.

Jane and Prince

The Historical Society began collecting in the 1890s, and was incorporated at that time. The first curator, Emily Noyes Vanderpoel, was the great-granddaughter of Benjamin Tallmadge. Members included descendants of Wolcotts, Demings, Tallmadges, and other early families of means. The Colonial Revival was in full swing, and veneration of one’s ancestors was all the rage. While we can thank these early members for preserving the records of the town’s past, there were certainly omissions. Whether through oversight or lack of available material, there remains little evidence of the African American and immigrant families who worked in Litchfield prior to the Society’s founding. Women are also underrepresented in the archives.

Little is not none, and our staff is making strides towards improving our description of materials that document the lives of underdocumented people. You’ll find examples of this in our finding aids (Tallmadge Collection here), as well as on our Tumblr log of the Elijah Boardman Papers project.

In this week’s Coffee with the Curator, I referenced a few receipts for the purchase of enslaved children. As we discuss Benjamin Tallmadge’s role in American History, we must note that he was an enslaver. Historian Lynne Templeton Brickley documented four enslaved members of the Tallmadge household, two indentured children, and a hired African American. The hired man, Cash Africa, as well as Tom Jackson, one of the enslaved, served in the Revolutionary War. There were other members of the household whose status was unclear. A number of Litchfield families, including the Deming, Wolcott, and Beecher households, included enslaved people and/or indentured servants.

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My Very Dear Maria

This lengthy missive was penned by Tapping Reeve in March of 1807 following the rumors of a broken engagement of Maria Jones Tallmadge and Virgil Maxcy, who studied law in Litchfield following his graduation from Brown College in 1805. She was 15, he was 20.

Maria Tallmadge was the daughter of Colonel Benjamin Tallmadge and Mary Floyd Tallmadge. She was born in Litchfield in 1790 and attended the Litchfield Female Academy from 1802-1802. According to Emily Noyes Vanderpoel’s Chronicles of a Pioneer School, Tallmadge “took a prominent part in the school theatricals.” Virgil Maxcy was from Attleboro, MA. He was born May 5, 1785 to Levi and Ruth Newell Maxcy. Following his graduation from Brown College, Maxcy studied law in Litchfield, where the two likely met.

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Broken Vial

This letter, written April 20, 1779, is one of my favorite pieces of correspondence from the Benjamin Tallmadge Collection. It clearly conveys the danger of the enterprise undertaken by the members of the Culper Ring and their acute awareness of the extraordinary risks they were taking. Tallmadge writes to Washington enclosing intelligence gathered by his agents about British activities in Rhode Island. The letter expresses the difficulties present in getting information to Headquarters expediently, writing, “I have urged by Letter & Verbally the plan of forwarding Letters by some shorter Route to Hd Qrs. – C – wishes, as much as your Excellency to hit on some more speedy mode of Conveyance, but after all his Enquiry finds such a step very dangerous & difficult.”

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Using the Code

Letter in Cipher, Benjamin Tallmadge to George Washington, July 28, 1779, Helga J. Ingraham Memorial Library, Litchfield Historical Society

One of the spycraft methods employed by Benjamin Tallmadge and the Culper Ring was the use of a code. Tallmadge developed a code dictionary and shared it with General Washington. Although this dictionary is not part of our collection, we are fortunate to be able to access Washington’s copy, now preserved by the Library of Congress. A transcribed version is available on the Mount Vernon website.

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Inside the Collections – Fighting Fires in Early America

Note: This is the first of an ongoing series of articles featuring objects from our upcoming exhibit, Antiquarian to Accredited: A Look Inside the Historical Society. Check back often for new objects and articles!

Fine examples of nineteenth-century painted fire buckets. Courtesy of Schwenke Auctions

First, let’s set the scene, courtesy of HBO’s miniseries John Adams. Adams, played by Paul Giamatti, has just returned to his Boston home when he hears church bells and shouting coming from the streets—sure signs that a fire has broken out. He rushes outside, carrying a leather bucket to a nearby water pump only to find the pump encased in ice. Two men struggle to push a hand tub (an early form of fire engine) down the street, calling for Adams’s help when it tips over. After righting the tub, Adams dashes through the crowded street to the next water pump. Before he can fill his bucket, the sound of a gunshot cuts through the night air.

If you have seen the series, you know what happens next. There was no fire that night, despite the ringing bells and commotion in the streets. Adams instead witnesses the aftermath of the Boston Massacre, setting the stage for his successful trial defense of the British soldiers involved (the story arc of the first episode). Setting aside any discussion of the show’s historical accuracy, it’s opening scene provides a vivid depiction of what it was like to fight fires in early America.

Notice of a bucket brigade gone awry. The Hartford Daily Courant, November 20, 1848.

Our focus here is the rather plain-looking object that Adams was carrying: a leather fire bucket. The fire bucket is a wonderful example of a utilitarian object that can tell diverse stories.

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